Born and raised at the base of Mount Olympus, just outside Salt Lake City, Utah, Call spent his childhood scrambling around the mountain’s rocky outcroppings. “It was the late 1980s, and there were few badass climbers there I got to know,” he says. “I would use my dad’s Sony Handycam to shoot them. I had no idea I would do it as a profession someday.” In 2000, Call helped found Pusher, a company that manufactured training equipment for climbers. “We needed content to promote the products and I ended up doing a lot of the shooting,” he says. “And that’s when I realized I wanted to shoot full time.” Call did some work for a local production house, then, in 2009, he got a big break. “A friend was working on the movie 127 Hours, and they needed somebody to do the high-angle shots,” says Call. (Starring James Franco, 127 Hours tells the story of Aron Ralston getting trapped by a boulder in Utah’s Bluejohn Canyon and escaping by amputating his own arm). Call’s background filming climbers made him perfect for the job. These days, Call is still shooting from dangerous places, but he’s focused just as much on the storytelling as the location. “More than anything,” he says, “I’m an emotive storyteller. It’s not about the specific activity, it’s about what the activity brings out in people. Rock climbing brought me into the world of filmmaking, but filmmaking opened me up to all manner of storytelling.” Call works on everything from branded campaigns to documentaries.